Keeping The Art Alive: A Dedication For Traditional Dance
- Artistry
- Jan 20, 2020
- 3 min read
Updated: Feb 11, 2020
By Janani D/O Sivalingam
With a strong passion for Bharatanatyam and a stronger mission to spread her passion, this youth is determined to keep the art of Bharatanatyam alive for years to come.

Unlike other youths, 21-year old Sree Visalatchi Devi D/O Palanisamy spends most of her evenings after school and on weekends teaching and sharing her passion for Bharatanatyam to other youths through her mother’s dance class, The Pushpaarpanam Dance Group at Nanyang Community Club.
Old But Gold

Visalatchi has always had a fascination with all things cultural and traditional. So, it was no surprise that she grew a fond interest in Bharatanatyam.
As the oldest Indian classical dance, Bharatanatyam has rooted strongly within the Hindu community in Singapore and can be widely seen being performed at festive occasions, due to its strong cultural significance.
While the word “Natyam” in Bharatanatyam means dance, “Bharata” encompasses emotion and feelings, melody and rhythm. Bharatanatyam is a dance that tells a story through the dancer’s body movements and facial expressions.
For an art form as intricate as this, it is no doubt that dancers usually take at least five to six years until they are ready to perform.
A Desire To Dance

Despite what seems to be an arduous art form, Visalatchi doesn’t see it that way. For Visalatchi, Bharatanatyam is more than just a complex dance form.
“When I dance Bharatanatyam, I feel happy and at peace. Whenever I am stressed out, Bharatanatyam becomes my healer,” she expressed.
Apart from being a stress-reliever, Visalatchi credits Bharatanatyam as also the main reason her self-confidence and perseverance grew to where it is today. The countless hours spent dancing the steps and practicing the specific hand gestures has taught her to push on no matter how tiring or tedious it gets. Her burning passion is also why she keeps bouncing back stronger.
A Mother, A Mentor, A Muse

If there’s one person she attributes her burning passion to, it is her mother, 51-year-old Pushpalatha D/O Kalimuthu.
Growing up, Visalatchi watched her mother dance and teach her students Bharatanatyam. That was when the passion for Bharatanatyam sparked in her. At the age of three, Visalatchi decided to give Bharatanatyam a try and has never stopped dancing ever since.
“Whenever I am lost or in need of help, be it in dance or life in general, I know my mother is always there to guide me”, Visalatchi beamed.
Bharatanatyam just tightened what was already a close-knitted mother-daughter relationship.
Sculpting Future Generations

Visalatchi sees her mother as an inspiration and shares the same strong beliefs about the importance of passing down the cultural art form to upcoming generations.
“We need to preserve our cultural and traditional backgrounds and not lose touch with our identity. That is why it is important to instill this in the minds of youths, as they are the ones who will be passing it down to future generations,” Pushpalatha said.
This is why Visalatchi joined her mother in teaching youths Bharatanatyam, and she is extremely meticulous in her teachings. She ensures that her students learn, understands and appreciates everything about Bharatanatyam, even down to the type of eyeliner that dancers should wear for a Bharatanatyam performance.
The More The Merrier

Visalatchi always aims to spread her love for Bharatanatyam and inspire others to join her and embrace the art form. She has even inspired her friends and siblings to learn and dance Bharatanatyam together with her.
“I never saw myself as someone who was into traditional dance. However, seeing how passionate and involved Visalatchi is, I decided to give it a try and now I truly appreciate and even enjoy dancing Bharatanatyam,” 21-year-old Kayathiri Maran replied when asked why she decided to join Visalatchi.
This isn’t the end for Visalatchi though, as she is on a mission to involve as many youths as possible. She plans to step up and take Bharatanatyam as a profession in the future.
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